![]() The song was later featured in the game Guitar Hero World Tour. ![]() The song was also the fourth wholly non-English language song to top the Billboard Hot 100. The music video directed by Sherman Halsey won the 1988 MTV Video Music Award for Best Video from a Film, also the music video had the participation of Lou Diamond Phillips, actor who played Valens in the 1987 film namesake. Charts Weekly chart performance for Ritchie Valens' recordingįrom the album La Bamba Original Motion Picture Soundtrack It is also included in the Rock and Roll Hall of Fame's list of 500 songs that were influential in shaping rock and roll. In 2019, Valens' version was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". ![]() Valens was inducted posthumously into the Rock and Roll Hall of Fame in 2001. It was also included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings published in Christgau's Record Guide: Rock Albums of the Seventies (1981). The song was listed at number 354 in the 500 Greatest Songs of All Time by Rolling Stone magazine, being the only non-English language song included in the list. Furthermore, Valens' recording of the song was inducted into the Latin Grammy Hall of Fame. 59 in VH1's 100 Greatest Dance Songs in 2000. 98 in VH1's 100 Greatest Songs of Rock and Roll in 1999, and No. Valens, who was proud of his Mexican heritage, was hesitant at first to merge "La Bamba" with rock and roll, but then agreed. The song features a simple verse-chorus form. It was originally released as the B-side of " Donna", on the Del-Fi label. In 1958 he recorded a rock and roll version of "La Bamba", together with session musicians Buddy Clark (string bass) Ernie Freeman (piano) Carol Kaye (acoustic rhythm guitar) René Hall ( Danelectro six-string baritone guitar) and Earl Palmer (drums and claves). Ritchie Valens learned the song in his youth, from his cousin Dickie Cota. Another version, "somewhat bowdlerized", was recorded by Cynthia Gooding on her 1953 Elektra album, Mexican Folk Songs. He claimed to have heard the song in Veracruz, and in performance slowed down the tempo to encourage audience participation. The Swedish-American folk singer William Clauson recorded the song in several languages in the early and mid-1950s. Huesca re-recorded the song for RCA Victor in 1947, and the same year the song featured as a production number in the MGM musical film Fiesta, performed by a group called Los Bocheros. A popular version by Andrés Huesca (1917–1957) and his brother Victor, billed as Hermanos Huesca, was issued on Peerless Records in Mexico around 1945–46. Later in 1945, the music and dance were introduced at the Stork Club in New York City by Arthur Murray. It became popular, and the song was adopted by Mexican presidential candidate Miguel Alemán Valdés who used it in his successful campaign. Īccording to a 1945 article in Life, the song and associated dance were brought "out of the jungle" at Veracruz by American bandleader Everett Hoagland, who introduced it at Ciro's nightclub in Mexico City. ![]() His recording was released by Victor Records in Mexico in 1938 or 1939, and was reissued on a 1997 compilation by Yazoo Records, The Secret Museum of Mankind Vol. The oldest recorded version known is that of Alvaro Hernández Ortiz, who recorded the song with the name of "El Jarocho". "La Bamba" has its origin in the state of Veracruz, Mexico. In one traditional version of this dance performed at weddings and ballet folklórico shows, couples utilize intricate footwork to create a bow signifying their union. The name of the dance referenced within the song, which has no direct English translation, is presumably connected with the Spanish verb "bambolear", meaning "to sway", "to shake" or "to wobble". The traditional aspect of "La Bamba" lies in the tune, which remains almost the same through most versions. However, versions such as those by musical groups Mariachi Vargas de Tecalitlan and Los Pregoneros del Puerto have survived because of the artists' popularity. Lyrics to the song vary greatly, as performers often improvise verses while performing. The song is typically played on one or two arpa jarochas (harps) along with guitar relatives the jarana jarocha and the requinto jarocho. "La Bamba" is a classic example of the son jarocho musical style, which originated in the Mexican state of Veracruz, and combines Spanish, indigenous, and African musical elements.
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